• JAFF

    Jane Fairfax and Emma Woodhouse Can’t Be Friends

    Emma Woodhouse is quite atypical for an Austen heroine in that her prettiness and charm are bolstered by both financial security and status, albeit within the intimacy of Highbury. This is an advantage not experienced by Anne Elliot, Fanny Price, the Bennets, or the Dashwoods, who for all their attributes, either have no fortune or only a tenuous proximity to one at the start of their stories. Emma is also arguably the most unlikeable Austen heroine, which is no accident on the part of the author who was famously quoted by her nephew James Edward as having stated that she had written “a heroine whom no one but [her]self will…

  • Romcom

    Old Maids and Mind Games in Austenland

    Jerusha Hess’ Austenland (2013) centers on Jane Hayes (Keri Russell), a thirtysomething Jane Austen devotee who is having difficulty in the dating world. The audience is led to believe that Jane’s primary problem is her all-consuming love for Austen’s romantic stories. In one scene, Jane is watching BBC’s 1995 adaptation of Pride and Prejudice with her date. He nibbles provocatively at her neck while she’s distracted by the sight of a sodden Colin Firth walking onto the banks of the lake on his Pemberley estate. Austenland follows Jane as she decides to become her own Austen heroine in a last-ditch effort to exchange modern spinsterhood for a love story written only…

  • JAFF

    Presumption: An Entertainment

    Julia Braun Kessler (1926-2012)  and Gabrielle Donnelly’s Presumptions: An Entertainment: A Sequel to Pride and Prejudice (1993) offers a continuation of the well-loved 1813 novel, from the perspective of Georgiana Darcy. Written under the nom de plume Julia Barrett, who has also written two other Austen engagements, Presumption introduces readers to the happy marriage of Elizabeth and Mr. Darcy, explores Georgiana Darcy’s coming of age, and follows the Bennet family through another set of crises. The focus of the novel is marriage, particularly the marriage of Georgiana Darcy. While echoing the beginning of Pride and Prejudice (1813), as any discerning reader will recognize, Presumptions opens with “If, as the prevailing wisdom…

  • PBS Masterpiece Sanditon

    Three questions about Andrew Davies’ Sanditon

    Two weeks after Andrew Davies’ PBS Masterpiece Sanditon (2019) concluded, the #sanditonsisterhood continues its bid for a second season. Even some diehard #Sidlotte fans, though, have conveyed disgruntlement about the contrived finale, which completely turned the series on its head with Sidney Parker’s (Theo James) selfless decision to marry Eliza Campion (Ruth Kearny) in order to save his brother’s resort, thereby abruptly ending his and Charlotte’s imminent engagement. Fans have expressed their desire for a “neat ending,” arguing that Jane Austen would have given her readers such an ending. Although the design of the conclusion was meant to breath life into a second season, it has ironically had the opposite…

css.php